Musicke's handmaiden, by E. A. Bowles.
From musical ideas to computers and back, by H. Brün.
Ethics and esthetics of computer composition, by G. Strang.
Music composed with computers, by L. Hiller.
Webern's use of motive, by M. E. Fiore.
Toward a theory of Webernian harmony, by R. Fuller.
Harmony before and after 1910, by R. Jackson.
Permutations of a twelve-tone row, by G. Lefkoff.
Programs involving numerically related tones, by I. Morton and J. Lofstedt.
Possibilities for equally tempered systems, by W. Stoney.
Root progression and composer identification, by J. Youngblood.
Analysis of Javanese music, by F. Lieberman.
Computer-oriented comparative musicology, by B. Suchoff.
Numerical methods of comparing musical styles, by F. Crane and J. Fiehler.
Style analysis by computer, by A. J. Gabura.
Toward a French chanson catalog, by B. Hudson.
Transcription of tablature to standard notation, by W. Earle Hultberg.
