From the Book - 1st Palgrave Macmillan pbk. ed.
I. Black aesthetics as theory, art, and ideology. The development of African American dramatic theory : W.E.B DuBois to August Wilson
hand to hand! / Mikell Pinkney
Rita Dove's Mother love : revising the Black aesthetic : through the lens of western discourse / Tracey L. Walters
The Ifa paradigm : reading the spirit in Tina McElroy Ansa's Baby of the family / Georgene Bess Montgomery
Just 'cause (or just cause) : on August Wilson's case for a Black theater? John Valery White
II. Black aesthetics and interdisciplinary Black arts. "Keeping it real" : August Wilson and hip hop / Harry J. Flam, Jr.
Giving voice and vent to African American culture : Katherine Dunham's struggle for culture ownership in Mambo (1954) / Dorothea Fischer-Hornung
The Mumia Project : theater activism at Howard University / Sybil J. Roberts
III. August Wilson's plays and Black aesthetics. Phantom limbs dancing Juba rites in August Wilson's Joe Turner's Com and Gone and The Piano Lesson / Reggie Young
Speaking of voice and August Wilson's women / Tara T. Green
Using Black rage to elucidate African and African American identity in August Wilson's Joe Turner's Come and Gone (1911) / C. Patrick Tyndall
IV. Current, unpublished interviews that speak to aesthetic issues raised in "The ground on which I stand." The ground on which he stands : Charles S. Dutton on August Wilson / Yolanda Williams Page
A conversation with August Wilson / Sandra G. Shannon and Dana A. Williams
A liberating prayer : a lovingsong for Mumia / Sybil J. Roberts August Wilson and Black aesthetics / Sandra G. Shannon.
Black aesthetics as theory, art, and ideology
Black aesthetics and interdisciplinary Black arts
August Wilson's plays and Black aesthetics
Current, unpublished interviews that speak to aesthetic issues raised in "The ground on which I stand."
