Women in the studio: representing professional identity
"Why are you no longer my brothers?" The Fraternité des arts and the female artist in Marceline Desbordes-Valmore's L'atelier d'un peintre
Sisterhood in/as the studio: Anna Mary Howitt's sisters in art
Visualizing imagined communities: lessons of the female artist in Staël, Owenson, and Lescot
Revolutionary identities: painting and resistance in Owenson's The princess; or the beguine
Angélique Arnaud's Clémence: art, revolution, and Saint-Simonianism
Margaret Gillies and the miniature: portraits of radical engagement
Brontë's portraits of romantic resistance: The tenant of Wildfell Hall
From margin to center: Sand's portraits of difference.
