The four modes of seeing: approaches to medieval imagery in honor of Madeline Harrison Caviness

Pt. 1. Material Object

1. Glazing of Siena Cathedral's fenestra rotunda magna: Preliminary Observations from a Production Standpoint / Renee K. Burnam

2. Holding Hands in the Virgin Chapel at Beauvais Cathedral / Michael W. Cothren

3. Asseburg-Hedwig Glass Re-emerges / Timothy Husband

4. Material Meaning: Stained Glass and the Questions of Authenticity, Reception, Workshop Practice, and Aesthetics / Virginia Chieffo Raguin

Pt. 2. Documentary Reconstruction

5. Prior Wibert's Fountain Houses: Service and Symbolism at Christ Church, Canterbury / Peter J. Fergusson

6. Sir William Horne and His 'Scowred' Window at Snailwell, Cambridgeshire / Richard Marks

7. Learning from Muskau: The Throne of Solomon Window from the Carmelite Church at Boppard and its Donation by Jakob von Sierck, Archbishop of Trier (1439 1456) / Rudiger Becksmann

8. Images Lost/Texts Found: The Original Glazing Program at Notre-Dame of Noyon / Evelyn Staudinger Lane

Pt. 3. Post-Disciplinary Approaches

9. Stained Glass and Architecture at Saint-Remi of Reims and at Braine: Distinct or Complementary Disciplines? / Anne Prache

10. Integrated Cathedral: Thoughts on 'Holism' and Gothic Architecture / Paul Crossley

11. Sacred Topography of Chartres Cathedral: The Reliquary Chasse of the Virgin in the Liturgical Choir and Stained-Glass Decoration / Claudine Lautier

12. Frames of Vision: Architecture and Stained Glass at Clermont Cathedral / Michael T. Davis

13. 'The Widows' Money' and Artistic Integration in the Axial Chapel at Saint-Quentin / Ellen M. Shortell

Pt. 4. Multiple Readings

14. Center Portal on the West Facade at Reims: Axes of Meaning / Dorothy Gillerman

15. Seeing and Understanding Narrative and Thematic Method in the Stained Glass of the Choir of Konigsfelden ca. 1330-1340 / Brigitte Kurmann-Schwarz

16. Modes of Seeing Margaret of Antioch at Fornovo di Taro / Elizabeth C. Parker

17. Archbishops Named and Unnamed in the Stained Glass of Reims / Meredith Parsons Lillich

Pt. 5. Gender and Reception

18. Subjection and Reception in Claude of France's Book of First Prayers / Pamela Sheingorn

19. 'Why Can't a Woman be More like a Man?': Transforming and Transcending Gender in the Lives of Female Saints / Martha Easton

20. Women in English Royal Genealogies of the Late Thirteenth and Early Fourteenth Centuries / Joan A. Holladay

Pt. 6. Peformativity

21. Mirror, Mirror on the Wall: Reflections on the Performance of Authority in Eike von Repgow's Sachsenspiegel / Charles G. Nelson

22. Saint Hedwig's Personal Ivory Madonna: Women's Agency and the Powers of Possessing Portable Figures / Corine Schleif

23. Boniface VIII and his Self-Representation: Images and Gestures / Agostino Paravicini Bagliani

Pt. 7. Text and Image

24. Paris and Paradise: The View from Saint-Denis / Elizabeth A. R. Brown

Pt. 8. Collecting and Consumption

25. Apparitional Aesthetics: Viollet-le-Duc and Villard de Honnecourt / Carl F. Barnes, Jr.

26. Grosvenor Thomas and the Making of the American Market for Medieval Stained Glass / Marilyn M. Beaven

27. Medieval Stained Slass and Alexandre Lenoir / Mary B. Shepard

Pt. 9. Politics and Ideology

28. Pathos and Politics: Nicholas Love's Mirror and Mel Gibson's The Passion of the Christ / Sarah Stanbury

29. Realpolitik and Artistic Patronage in Twelfth- and Thirteenth-Century Troyes / Elizabeth Carson Pastan

30. Rhetoric and Reform: The St. Thomas Becket Window of Sens Cathedral / Alyce A. Jordan

Madeline H. Caviness: selected bibliography

Appendix. Curriculum Vitae of Madeline Harrison Caviness.