James Theodore Hillhouse, by T. Hornberger.
The makers of the British novel, by R. C. Rathburn.
The background of Mansfield Park, by C. Murrah.
Critical realism in Northanger Abbey, by A. D. McKillop.
Scott's Redgauntlet, by D. Daiches.
History on the Hustings: Bulwer-Lytton's historical novels of politics, by C. Dahl.
Thackeray, a novelist by accident, by J. Y. T. Greig.
A note on Dickens' humor, by D. Bush.
Self-help and the helpless in Bleak House, by G. H. Ford.
Form and substance in the Brontë novels, by M. R. Watson.
Charlotte Brontës "New" Gothic, by R. B. Heilman.
Elizabeth Cleghorn Gaskell, by Y. Ffrench.
Trollope's Orley Farm: artistry Mangué, by B. A. Booth.
Anthony Trollope: the Palliser novels, by A. Mizener.
George Eliot's originals, by G. S. Haight.
Middlemarch, George Eliot's masterpiece, by S. J. Ferris.
Charles Reade's Christie Johnstone: a portrait of the artist as a young pre-Raphaelite, by W. Burns.
George Meredith's One of our conquerors, by F. Gudas.
Hardy's major fiction, by J. Holloway.
The spiritual theme of George Gissing's Born in exile, by Korg.
Samuel Butler and Bloomsbury, by W. V. O'Connor.
Apology for Marlow, by W. Y. Tindall.
The old novel and the new, by M. Steinmann, Jr.
